Brief synopsis: After suffering brain trauma in a car accident that killed her mother, high school student Cassie obsesses over her American football playing boyfriend, Liam. Lonely and missing her mother, she finds a phone with an AI that replicates her mother’s voice. Cassie’s tenuous grasp on reality is tested further as the AI pushes her to homicidal heights.
Sometimes my mouth - or fingers in this case - go before the brain. Let me explain. I have a history of watching the first episode of a series and then leaving it. I’ve done with GOT, The Wire, 24, Ozark, all critically acclaimed shows that I have seen opening episodes of but never…
With the explosion of streaming services, media, and bingeable or downloadable content shows that are watched by the masses are rare. The like of Games of Thrones or Walking Dead—both which I do not watch—are not as common as they were in the seventies, eighties and into the nineties.
There are a few writers, both in film and television, that can get me to watch a film or a show. Such is my faith in Christopher Nolan’s ability to create a compelling story, I fought my dislike of war films to see the quite brilliant Dunkirk.
As a child of the seventies and early eighties, the Teen Titans cartoon is not something that I am familiar with. I had heard of it, but never watched it. A quick Google and Wiki peruse of the Teen Titans, shows a history of the characters going back to the mid-sixties.
Watched a new show, to me at least, on Netflix in keeping with my efforts to watch and review lesser known shows so that, perhaps, you do not have to. The show is a French serial, Dix Pour Cent, English title, Call My Agent!. A comedy-drama, it is the story of a Parisian talent agency, ASK, and the relationships of the agents with each other, their actors and life in general.
In film and television, a lot of people are drawn to a series or film by the actor and/or star or the director. Generally, it would be because you have seen the actor in previous work that you enjoyed or the director's body of work appeals. There are, of course, other considerations when it comes to choosing whether to watch something or not - genre, duration - but a trusted name is one of the more common ways to choose.
THE best thing I can say about the Netflix offering of The Little Mermaid is it makes one want to revisit the magical Disney animated version. In no way connected to, or even remotely similar to - except for the fact that it features a mermaid - the Disney classic, Netflix's The Little Mermaid disappoints on almost every level.
Monkey was a late seventies Japanese television series that aired in the early eighties here in the UK. Quickly gaining popularity, it became a cult hit, with every teenage schoolboy - as that is what I was when it aired - rushing home to see it. Less violent than another martial arts series of the…