If you have read any of my reviews on Vocal.media or on WordPress, you know that I’m a fan of both film and television. Though I have been concentrating my efforts on Netflix films of late - you’re welcome - my true love is serial television.
With the explosion of streaming services, media, and bingeable or downloadable content shows that are watched by the masses are rare. The like of Games of Thrones or Walking Dead—both which I do not watch—are not as common as they were in the seventies, eighties and into the nineties.
IS Idris Elba James Brown in disguise? Even though the erstwhile godfather of soul was known as the hardest working man in show business, his death in 2006 put an end to his hard-working practices and brilliant music career. His spirit, however, seems to have found its way into the ever-prolific Elba.
I was speaking with a friend of mine who is in the film and television industry. He is lucky and personable enough to always be in demand for his directing talents. The last few years have been busy for him, with a long cherished project coming to completion and various television jobs. He also directed a comedic feature, whilst hawking around another biopic project. This is a man who keeps busy. With the various platforms and streaming services available all needing content, a man such as he is, can, without too much of a herculean effort, keep themselves in demand, as he has done. As grateful and happy as he is to be a working director, the film industry still remains a source of frustration.
The more I learn about filmmaking the less sure I am. I know that a good or excellent script is a basic requirement, it being the blueprint for any journey into filmmaking, but can any film lover honestly say they have not watched a film, with a less than stellar script, that has not only been enjoyable but become a hit? Conversely, I have seen brilliantly scripted films, with creditable performances, gain no traction whatsoever.
Ah Ms Banks, you really ought to check the filmography of those whose careers before you decide to besmirch the name of a director, especially a white, Jewish, industry heavyweight like Spielberg. There has been in Hollywood over the past couple of years a real push for more prominent roles for women and any race that isn't white. That this is a thing in a country where a black man can start his own self-sustaining film industry - Tyler Perry - or a woman can, as far back as the sixties - Lucille Ball - run a television studio, is a little odd to a black person looking on from the United Kingdom as the U. S. was always the place to look for any sort cultural and ‘people like us’ references.
I had planned to begin this blog with the popular idiom 'the cream always rises to the top', putting forward, in a roundabout and hopefully engaging way, the theory or belief that if your work is good enough, it will be discovered. I decided to look up the history of the phrase - research folks,…
The excitement is already building eight whole months before the film is due for release. A who's who of this generations black stars in their ascendancy make up the cast. Chadwick Boseman, known better on the other side of the pond for his biopic roles, playing James Brown in Get On Up and, to the soccer loving U. K. audience at least, the little known of U. S. legend that was the baseball player Jackie Robinson in Forty-Two.
So I've embarked on the writing of the second episode of my fledgeling comedy sitcom. As I am presently at a loss as to how to move forward with getting the first episode made, I thought I would retreat to the safety of writing. I say safety, I mean purgatory. Why oh why did I decide to write a comedy? Especially an episodic one. Not only do all the normal rules apply - compelling characters, an engaging narrative, a theme, an actual story - but it has to be funny as well.