Less than five minutes into Deadly Detention, a Netflix teen horror flick, and I knew it was going to be eye-wateringly awful. It opens with a girl running from an unseen threat, along narrow corridors in an abandoned building. We get a title card: Three days ago. We are on a bus with five teenagers. They are being driven to Wayview prison by Pete (Kevin Blake), who has a shrine a deceased student, Jenny Duke on the dashboard. Wayview, an old, now closed, prison, is to be used for Saturday detention.
Is there a person that one is supposed to meet? Most of us have, at some time, been besotted with or liked the wrong person. That is life. Still, there is a train of thought that says we are destined to meet certain people and certain people are destined to be together.
It has been a few days since the event that was Avengers: Endgame happened. The media; newspapers, television, internet, have all covered the film extensively, both in reviewing it and discussing various aspects of the whole MCU now that this chapter of the cinematic story has been resolved.
It was as far back as Luc Besson’s 1990 Nikita where the popularity for a lone wolf, female assassin/vigilante/superspy probably begun. There had been female action films and television before that. The seventies had Pam Grier and Tamara Dobson, in Foxy Brown and Cleopatra Jones respectively.
Sometimes my mouth - or fingers in this case - go before the brain. Let me explain. I have a history of watching the first episode of a series and then leaving it. I’ve done with GOT, The Wire, 24, Ozark, all critically acclaimed shows that I have seen opening episodes of but never…
It begins and ends with Iron Man. That is as spoilery as I will get in this look at the conclusion of the Infinity War saga, Avengers: Endgame. The Russo brothers were always going to be up against it trying to top Avengers: Infinity War. Not only is it an epic film, story, and piece of filmmaking, it also has one of the best endings in modern cinema.
The words ‘ultimate’ ‘sniper’ and ‘kill’ are very popular when it comes to creating film titles. Put any one of those words into the search bar on IMDB and a whole slew of variations pop up. It seems that many a filmmaker has the same idea as to what makes a good title. Or they’re just lazy.
Only five minutes in and I can see why this film scored three point seven on IMDB. Might be some sort of a record. Generally, I don’t critique acting, because actors are at the mercy of the director, script and one another. Being an actor is hard. The competition is fierce, the rejection constant, the availability of good, paying, projects rare.
Back in the late eighties, Peter Filardi wrote a screenplay that was started a mini bidding war. The story of medical students dying and bringing themselves back from the dead proved an enticing and intriguing premise, and Filardi’s Flatliners script was snapped up by Colombia pictures.