Janne (Aenne Schwarz) and Piet (Andreas Dohler) are a couple of thirty-something, struggling writers. They are planning to move out of the city and are doing up an old house. Janne meets an old friend, Robert (Tilo Nest), who owns a publishing company. He offers her a job as an editor. She tells him she will think about it. She meets Sissi (Lisa Haigmeister), Robert’s young wife, and her brother, Martin (Hans Lôw) briefly.
A robot (body - Luke Hawker, voice - Rose Byrne) lives alone in a vast bunker. The bunker has been built to sustain hum life and contains over sixty thousand human embryos. The robot selects one, a female, and grows it. As the child grows, she addresses the robot as Mother. The robot addresses her as Daughter.
Asa Butterfield is a terrible dancer. Truly, truly awful. Or at least Calvin, the character he plays in Netflix’s Departures is. Calvin is a hypochondriac working as a baggage handler in an airport. Such is the extent of his hypochondria, his doctor, Dr Collins (Ron Simons), sends him to a cancer support group to try and cure him of his affliction.
Chinese-American, Sasha (Ali Wong) and Korean-American, Marcus (Randall Park) have been friends since childhood. Sasha, a latchkey kid, always spent her time at Marcus’ parents, Harry (James Saito) and Judy Kim (Susan Park) house in San Francisco. Judy, a great cook, taught Sasha how to cook and left her with a love of food and cooking. Sasha and Marcus spent their childhood hanging out together. Marcus even formed a band, Hello Peril. One day when the two of them are out fishing, Harry comes and finds them. Judy has died.
Mollie (Noél Wells) and Sam (Ben Schwartz) are a couple seemingly in perfect sync. The night before their third anniversary, they are visiting Hao (Leonardo Nam) and Lindsay (Kate Berlant), a nauseatingly irritating couple, who foist their oneness on all around them.
Maria (Cristina Reyes) was a top assassin for Ricardo De la Vega’s (Freddie Webb) Black Rose crime syndicate, under the name of Lily. Seven years before she had told Kaleb (Germaine De Leon) a fellow assassin, son of De la Vega and her lover, that she wants to stop killing people. Kaleb tells her that he will speak to his father after one last job.
Carolina (Paz Bascuñán) is woken up on her thirty-eighth birthday by her husband, Fernando (Marcial Tagle) with breakfast in bed and the gift of a new car. He even buys her a couple of tickets for a cruise around the Greek Islands, though he does stipulate that he has bought them so as she could go away with a friend. Though she is appreciative of his attention, she finds his kindness a little strange.
John Wick Chapter 3: Parabellum, picks up where the previous film left off. In John Wick Chapter 2 the world of the assassins inhabited by Wick was expanded. Though Wick was a legend in that murky world, he was still required to adhere to a code. He feels honour bound to break that code by a blood oath and is excommunicated by the High Table.
New York reporter, Kate Bradley (Tiya Sircar) likes to take risks in pursuit of newsworthy stories. When she takes an unnecessary risk to film a dangerous fire, a fire at which she meets one of the firefighters, Eric Hayes (Chad Connell), her boss, David Dyal (Mark Camacho) pulls her off of dangerous stories and sends her out to interview a woman, Christina Gomez (Christina Tannous), who anonymously receives one hundred thousand dollars on her doorstep.