I didn’t walk out, so there is that. I really wanted to. Sixty minutes in and the cliches and lazy plot twist just kept coming. It is films like this – films that get major distribution and promotion – then turn out to be so poorly executed, that anger me. American Assassin, a made for television film if ever there was one, has been foisted on an unsuspecting public as a high-concept action thriller. It really is not.
The film begins in Ibiza where a loved-up Mitch Rapp (an underfed Dylan O’Brien) proposes to his girlfriend, Katrina – though I thought her name was Serena – (Charlotte Vega). She accepts and he goes off to get a couple of cocktails to celebrate. As he waits at the bar all hell breaks loose as terrorist open fire, spraying automatic gunfire at fleeing holidaymakers. Rapp takes a shot in the hip and shoulder as he tries to find his recently acquired fiancée. As Katrina looks for him, she gets shot and then one of the terrorists decides to shoot her again in front of Rapp, because, why not?
Fast forward eighteen months and a hirsute Rapp is making contact with the Taliban, hoping to infiltrate the cell that killed his fiancée. Unbeknownst to him, he is being observed by the CIA who move in when his plan proves successful, getting them close to a target they had previously been unable to even locate.
Impressed by his tenacity and apparent high level of combat and firearms competency – “he scores off the charts” says deputy director Irene Kennedy (Sanaa Latham). Bullshit. – he is recruited to join a covert, hardcore, elite division run by grizzled veteran hard arse, Stan Hurley (Michael Keaton). And the cliches keep on coming.
The angry young buck that is Rapp, proves to be a bit of a maverick, failing to follow orders and going off mission. Meanwhile – cliche pile-ups aplenty – Hurley recognizes one of his old charges, referred to enigmatically (not really) as Ghost (Taylor Kitsch). Turns out Ghost was a former operative, whom they thought dead, who was the previous young charge who ‘scored off of the charts’!
Having revealed the laziest twist in cinema, the film proceeds with some convoluted crap about uranium and building a nuke and how it must not get into Iranian hands, but wait, the Ghost is double-crossing everybody! He wants to blow up ‘Mericans!
The fact that this same story has been done so much better – 2012’s Skyfall most recently – on every level is what is irritating. One does not expect a masterpiece – not with the imaginative title of American Assassin – but lazy, tired, two-dimensional characters, a less than two-hour runtime that feels like four and lackluster directing do not point to a film that warrants the kind of promotion that this tripe had.
It always pains me when I see actors having to commit and try and convince an audience that a story is worth sticking with, whilst working with such poor material. Four – FOUR! – screenwriters worked on this! It is doubtful that they worked together, as the script reeks of studio interference, hence the many writing credits. There is only one director though, Michael Cuesta.
Cuesta is mostly credited with television work. The best I can say about the directing in this film is everyone is in focus. Fights scenes – in an action thriller remember – are pedestrian. For some reason, they decided to set a chase scene in one of the world’s busiest cities, when it comes to traffic, Rome and the chase is on par with the awful ‘let people see the cars’ sequence/chase in Spectre in its blandness.
Locations, no doubt trying to give the film an international flavour, seemed picked at random, as though the director thought they might be nice places to visit. Another thing; the title of the film gives the impression of some lone wolf, a one-man army, tasked with taking out bad people; a male Nikita if you will. In the film he is anything but that, stealing cars and having shootouts whilst compromising his team and mission, no finesse or evidence of his ‘off the charts’ ability in anything except reckless endangerment.
If you have one hundred plus minutes to kill and find yourself watching the trailers as you wait for American Assassin to begin, do yourself a favour and leave after the trailers.