As an aspiring film and television writer, reality television is an abomination to me. Lazy television, accommodating talentless, fame hungry people and selling it as entertainment. Here in the United Kingdom the latest reality show – it might be in its second or third season, I’ve really no idea and refuse to research it. – is Love Island, a show where a collection of beautiful, single, young people are thrown together on an island and given various task to complete.
The show has garnered a lot of press for a lot of the antics, mostly of an overtly sexual nature, that have transpired. I do not consider myself a prude and an adult is entitled to do as they please, as long as their actions harm no other, but Love Island, a show that is deliberately salacious and is so abhorrent I cannot bring myself to watch even an episode, I have been watching snippets on YouTube and it is as awful as I feared.
Musclebound jocks and dolly birds with too much face paint show off and cavort on a specially created island. At the end of each episode, the watching public gets to vote off one of the participants. The group learn of this by one of them receiving a text and reading it out loud to the rest. The programme is just painful.
Suffering three minutes of this tripe is almost too much for me, with one of the least popular bawling their eyes out, because the other least popular character decided to leave. Utter shite. There are inane conversations and way too much makeup on just about everybody. Looking beautiful – depending on one’s perspective – seems to be the only requirement for getting into the shop window that this show is.
With the modern penchant for social media being seen as viable a career option, with popularity allowing celebrities to earn substantial amounts of money, there is a never ending supply of nubile, attractive women and hunky, gym-loving, vainglorious men prepared to embarrass and exhibit themselves for a voyeuristic and haughty public.
That reality television is so popular, especially in its present, obviously scripted, format is a mystery to me. There was a time when it was the contrast in the characters involved that was what made this type of show interesting and watchable. Now everyone in these shows looks the same. All of the participants fall into the eighteen to twenty-four demographic, all are slim and conventionally attractive or buffed up and pseudo-cool.
The public, however, laps up the show, happy to adopt it as a sort of guilty pleasure that makes them feel better about themselves, not being silly enough to allow themselves to be filmed for cheap entertainment. The feeling of superiority is reinforced by the type of people they tend to choose, who even for all their good looks and fine tans are obviously from working class backgrounds.
That this show is so popular says as much about the viewership as it does the participants, the class system and perceptions of the watchers that they are somehow better than those they are watching because, like spectators at an old Roman arena, they are being entertained. Of course, I see the irony in my rant, how by deriding Love Island, I too am viewing myself as above such fair. As I began, I have never been a fan of reality television. I want to be told stories. If I want to observe real life I can go sit on a bench in my local park. If I want to hear about other people’s mundane love life’s, I can get on a bus and hear any number of less than guarded conversations, people on mobile phones never aware of the fact they are out in public.
Unfortunately, reality television shows are not only initially cheap to make – the cost goes up once any of the participants gets really popular – but they also appeal to the ever important eighteen to twenty-four demographic, the mass consumers of media. As lazy and uninspiring as reality television is, it is not going away.