So, I did what I said I would do and went and watched Dunkirk, even though it is a war film and I am really not a fan of war films, but as it was a Christopher Nolan film, I made an exception. And I am glad that I did! My head is still hurting from the emotional impact of the piece. It is a film that has deservedly garnered five-star reviews.
I have not been blogging with my usual regularity. Life has got in the way a little bit and I decided that I wanted to get some editing practice in, just as a way to keep in with the 'I'm a filmmaker' narrative I keep telling myself. Frameline.tv is my go to for lonesome film…
There are, apparently, many methods to use when coming up with a story or an idea for a story. The most common and by default, most popular, is the different perspective story. One reads or sees or is told of an incident or happening and tries to imagine it from a different point of view. There is also the method I favour of imagining what happened around the incident to cause it.
Ever since I have decided that I am going to write a feature film I have had a mini mental block. I have no idea for a story that I think will make a good feature length film. I do not even have a genre preference. My short films were all couples related, comedic with a twist. A five-minute film, however, is a lot different from a ninety to a hundred minutes feature.
I have been editing. In an effort to be mildly proactive, as well as exercising some creative procrastination, I looked up the Framelines.tv website to see if they had been doing anymore interactive editing stuff. Turns out they have. A while back I found their site through a link and had fun editing some of the raw footage they provide specifically for that purpose.
I was speaking with a friend of mine who is in the film and television industry. He is lucky and personable enough to always be in demand for his directing talents. The last few years have been busy for him, with a long cherished project coming to completion and various television jobs. He also directed a comedic feature, whilst hawking around another biopic project. This is a man who keeps busy. With the various platforms and streaming services available all needing content, a man such as he is, can, without too much of a herculean effort, keep themselves in demand, as he has done. As grateful and happy as he is to be a working director, the film industry still remains a source of frustration.
As an aspiring film and television writer, reality television is an abomination to me. Lazy television, accommodating talentless, fame hungry people and selling it as entertainment. Here in the United Kingdom the latest reality show - it might be in its second or third season, I've really no idea and refuse to research it. - is Love Island, a show where a collection of beautiful, single, young people are thrown together on an island and given various task to complete.
I went to see Spider-Man Homecoming yesterday, the sixth outing of the popular comic character since its big screen debut in 2002. It is also the third rebooting of the character, marking three incarnations in fifteen years. When a failing Marvel comics sold the rights to some of their characters, before Marvel Studios became established as the connected cinematic juggernaut it is today. Bryan Singer’s X-men, released in 2000, kicked off the boon for comic book movies. The rights to the X-men were and remain owned by Twentieth Century Fox.
When I used to collect records, the vinyl kind, back in the eighties there was one artist whose music touched my heart to such an extent, that I would buy anything they produced. Anita Baker hit a musical and critical peak in the eighties, the release of her album Rapture, pushing her into the national consciousness. I bought her next album without even hearing a track, so enamoured with her sound I was at the time. Music was still mostly an aural experience then, not the social media driven industry it is now. Visual is king now.