A Filmmaker’s Kind Of Movie – Locke

I was wanting to watch the movie ‘John Wick’, as it had not got much of a theatrical release here in Blighty, so checked to see when it was coming to one of the subscription services. Netflix and all the other streaming services had a date of February third. Brilliant, I’ve got Netflix, I thought, i’ll fire up that bad boy and enjoy one hundred minutes of action! Of course it was not available – damn you Netflix! – so I ended up watching ‘Locke’.

‘Locke’, as I say in the title, is not a film for everyone. The entire film is set in a car. There are no chases, crashes, flips or de’er doing of any kind. It is just the story of a good man who makes a life changing decision as the consequences of one night’s, long since passed, poor choice. It is Ivan Locke’s life unravelling. All set in a car.

Tom Hardy, the actor playing Locke, will never be a superstar. He will never open a film, because there is no ‘Tom Hardy’ film. That’s a good thing. In this film he is Ivan Locke. One never sees him as a character from any of his previous films, you just see the story of this man, Locke, on a fateful journey.

So why is this a filmmaker’s film? Even though the entire film takes place in the car, the camera work and editing is joyful. There are things that one may have read about or heard spoken of – the quadrant system as seen here –  the lighting, the overlapping edits, fades and of course, the script. This is not necessarily a big screen film, but, given the lack of physical action, it is still more than a stagy monologue. In fact on stage I suspect it would be quite flat. The fact that he is on a journey, the suddenness with which he has taken the decision and the impact it has on his life, make this a highly watchable film.

As I have mentioned, it is not for everyone, but, if like me, you want to be a filmmaker, this is one not to miss.

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